Like the rising demogogue at the heart of Robert Penn Warren's Pulitzer Prize-winning novel, All The King's Men, Trump understands that he is liberated from the burden of fact just so long as he continues to depict a reality that renders as True.
The Winter of Our Discontent is marked by the same sort of nationalism that has been given pride of place on the electoral stage. At the close of the first black president’s tenure, there has been a heightening of hate. The staggering reinvigoration of white supremacy--let’s call it like it is--is a response what some commentators have observed as a pushback against President Obama as a symbol for racial advancement. The racist underpinnings of presidential candidate Donald Trump’s campaign are, for some, a way to set back the “rightful” order of this country -- you know, to “make America great again.”
Although a new film and documentary about Violette Leduc’s life have added to her popularity in recent years, the groundbreaking writer remains largely unread outside of France. THE ALIGNIST’s Beenish Ahmed called up New York University professor Elisabeth Ladenson to talk about Leduc’s troubled life and unsung legacy -- but mostly, about her unsparing prose.
Rarely is sexism considered to be a menace akin to that of sectarianism in Pakistan. It's even rarer that the omission of the country's most marginalized from their place within classrooms and within textbooks is called into question. In her book, The Upstairs Wife: An Intimate History of Pakistan, Rafia Zakaria does both.