In his farewell address, President Obama invoked the glorified version of To Kill a Mockingbird's Atticus Finch who has been incorrectly read as a civil rights hero for decades.
“On November 10 The New York Times reported that nearly seven in ten Republicans prefer America as it was in the 1950s,” Smith said, “A nostalgia of course entirely unavailable to a person like me, for in that period I could not vote, marry my husband, have my children, work in the university I work in, or live in my neighborhood.”
Like the rising demogogue at the heart of Robert Penn Warren's Pulitzer Prize-winning novel, All The King's Men, Trump understands that he is liberated from the burden of fact just so long as he continues to depict a reality that renders as True.
The Winter of Our Discontent is marked by the same sort of nationalism that has been given pride of place on the electoral stage. At the close of the first black president’s tenure, there has been a heightening of hate. The staggering reinvigoration of white supremacy--let’s call it like it is--is a response what some commentators have observed as a pushback against President Obama as a symbol for racial advancement. The racist underpinnings of presidential candidate Donald Trump’s campaign are, for some, a way to set back the “rightful” order of this country -- you know, to “make America great again.”
Rarely is sexism considered to be a menace akin to that of sectarianism in Pakistan. It's even rarer that the omission of the country's most marginalized from their place within classrooms and within textbooks is called into question. In her book, The Upstairs Wife: An Intimate History of Pakistan, Rafia Zakaria does both.